Jimi Hendrix: Studio 1968 Sessions, Outtakes, Demos (3 Double CD + 2 Single CD + 1 Triple CD = 11 CDs)

Jimi Hendrix: Studio 1968 Sessions, Outtakes, Demos (3 Double CD + 2 Single CD + 1 Triple CD = 11 CDs)
Excellent Quality Studio Soundboard Recordings

Studio ’68 Tracklist And Information

January 21, 1968 - Olympic Studios, London, England. The first day of the new year that finds The Experience back in the studio working on Jimi's newest album, Electric Ladyland. Work had begun on the new project in late 1967.
01. All Along The Watchtower (S816) (2) - Sound Quality: Very good. Time: 3:57
The original four track mix.
02. All Along The Watchtower (S816) (16) - Sound Quality: Very good. Time: 3:58
A slightly different mix of the original four track mix.
03. All Along The Watchtower (S034) (15) - Sound Quality: Excellent. Time: 4:00
This is the official true mono reduction mix.
04. All Along The Watchtower (S138) (4) - Sound Quality: Excellent. Time: 4:00
The official one channel mono mix that is similar to but not identical to the left
channel of the official stereo mix. It is actually a more extreme mix with more
left channel isolation.
05. All Along The Watchtower (S816) (5) - Sound Quality: Excellent. Time: 3:59
The alternate "Legacy" mix with reverb added.

January 26, 1968 - Olympic Studios, London, England.
06. Tax Free (S?) (22) - Sound Quality: Good. Time: 4:57
Original basic track Take 2. Contains the original drums but no organ or guitar
overdubs.
07. Tax Free (S989) (2) - Sound Quality: Very Good. Time: 4:56
Original basic track Take 2 with original drums, organ, and some guitar overdubs.
08. Tax Free (S?) (20) - Sound Quality: Very Good. Time: 4:56
Same as (S989) (2) but with reverb added and mixed into narrow stereo.
09. Tax Free (S?) (3) - Sound Quality: Very Good. Time: 4:56
Same as (S989) (2) but with reverb added and mixed into mono.
10. Driving South (S835) (4) - Sgt. Pepper's Lonely Hearts Club Band Medley (S836)
(1)
Sound Quality: Excellent. Time: 5:55.
Instrumental jam in stereo.

March 13, 1968 - Sound Center Studios, New York, New York.
11. Little Miss Strange (S686) (1) - Sound Quality: Very Good. Time: 3:32
An instrumental run-through of Noel's composition
12. Somewhere (S768) (1) - Sound Quality: Very Good. Time: 3:53
Original unaltered mix with heavy echo on vocals
13. Somewhere (S987) (2) - Sound Quality: Very Good. Time: 3:15
Original unaltered mix with slight echo on vocals. End cuts before fadeout.
14. Somewhere (S969) (4) - Sound Quality: Very Good. Time: 3:42
An alternate mix of guitar and bass only. Cuts abruptly.
15. Somewhere (S969) (5) - Sound Quality: Very Good. Time: 4:01
An alternate mix of guitars only. Cuts abruptly.
16. Somewhere (S?) (6) - Sound Quality: Very Good. Time: 4:01
This is the alternate mono mix with longer studio chat.
17. My Friend (S990) (2) - Sound Quality: Very Good. Time: 4:31
An alternate mix of the official track.
18. My Friend (S?) (3) - Sound Quality: Very Good. Time: 2:08
Different mix with Jimi's vocals low and bar chatters more upfront. Incomplete end.
19. 1983...(A Merman I Should To Be) (S685) (1) - Sound Quality: Very Good.
Time: 4:18
An alternate mix of the official track with Jimi adding guitar overdubs. The abrupt
dropout near the end is on all known sources.

April 18, 1968 - The Record Plant, New York, New York.
20. Long Hot Summer Night (S040) (4) - Sound Quality: Very Good. Time: 3:28
The monaural mix of the official stereo edit (S040) (1).

April 20, 1968 - The Record Plant, New York, New York.
21. Little Miss Strange (S739) (3) - Sound Quality: Good. Time: 2:54
An alternate stereo mix with different guitar parts over original bass.
22. Little Miss Strange (S039) (4) - Sound Quality: Very Good. Time: 2:51
The monaural reduction mix of the official stereo mix.

April 23, 1968 - The Record Plant, New York, New York.
23. 1983...(A Merman I Should To Be) (S247) (3) - Sound Quality: Excellent.
Time: 4:33
An alternate mix of the official track using more effects on Jimi's vocals.

April 24, 1968 - The Record Plant, New York, New York.
24. Gypsy Eyes (S997) (3) - Sound Quality: Excellent. Time: 2:01
Take 1 of two instrumental takes with Jimi and Mitch only. No bass on track.
25. Gypsy Eyes (S997) (4) - Sound Quality: Excellent. Time: 2:08
Take 2 of two instrumental takes with Jimi and Mitch only. No bass on track.
26. Gypsy Eyes (S783) (2) - Sound Quality: Very Good. Time: 4:23
An alternate mix of Take 5 with guitar parts different from the official mix.
This track also includes a 36 second instrumental false start at the end

May 1, 1968 - The Record Plant, New York, New York.
27. House Burning Down (S270) (2) - Sound Quality: Good. Time: 4:39
The acetate mix of Take 2 which has some different guitar and drum parts.
28. House Burning Down (S999) (3) - Sound Quality: Very Good. Time: 4:31
A second alternate mix with bits of extra vocal added.

May 2, 1968 - The Record Plant, New York, New York.
29. Cherokee Mist (S710) (1) - Sound Quality: Very Good. Time: 7:09
The complete studio take. Jimi's grandmother was part Cherokee Indian and
it's said that he wrote this as a tribute to his ancestry.
30. 3 Little Bears / South Saturn Delta / Untitled Instrumental Jam
3LB (S782) (4) - SSD/UI Jam (S1116) (4) - Sound Quality: Excellent. Time: 12:44
Studio jam that became the building block for 3 Little Bears and South Saturn
Delta. 3 Little Bears in this mix has Jimi's vocals along with some guitar overdubs
added. At this point is very close to the official track found on War Heroes. South
Saturn Delta along with the Untitled Instrumental continue to the end of the track in
their unedited form.
31. 3 Little Bears / South Saturn Delta / Untitled Instrumental Jam
3LB (S1352) (5) - SSD/UI Jam(S1116) (5) - Sound Quality: Excellent. Time: 12:51
This mix of the studio jam has Jimi's vocals mixed high with the music track mixed
low on 3 Little Bears for the first 4:14 for a vocal overdub. After the vocal take,
South Saturn Delta along with the Untitled Instrumental are brought back to the
front and continue to the end in their unedited form.
32. 3 Little Bears (S?) (8) - Sound Quality: Very Good. Time: 4:19
This mix has echo added to the vocals and two guitar parts until the end of the
second verse. After this point, the track continues with rhythm guitar only.
33. 3 Little Bears (S782) (3) - Sound Quality: Very Good. Time: 4:58
A longer alternate mix of the official track with no echo on vocals. This edit has two
guitar parts thoughout the track
34. South Saturn Delta (S1092) (1) - Sound Quality: Excellent. Time: 4:44
The original track without overdubs.
35. South Saturn Delta (S?) (9) - Sound Quality: Very Good. Time: 4:16
An alternate mix with different guitar and horn overdubs plus reverb added.
36. South Saturn Delta (S?) (10) - Sound Quality: Very Good. Time: 5:43
A composite of the incomplete official edit (S261) (2) with guitar and horn
overdubs which then transitions into the original track (S1092) (1) without
overdubs. The transition occurs roughly around the 2:50 timing mark
37. Voodoo Chile (S1320) (1) - Sound Quality: Very Good. Time: 1.00
Take 1 instrumental of the Voodoo Chile Sessions tape. The start of this take
is cut on all circulating copies.
38. Voodoo Chile (S1320) (2) - Sound Quality: Very Good. Time: 11:30
Take 2 instrumental of the Sessions Tape.
39. Voodoo Chile (S1320) (3) - Sound Quality: Very Good. Time: 2:47
Take 3 of the Sessions Tape which is preceded by a 25 second false start.
This unfinished take finds Jimi attempting to add vocals.
40. Voodoo Chile (S1320) (4) - Sound Quality: Very Good. Time: 7:00
Take 4 of the Sessions Tape. Also referenced as the "Broken String" Take as
one breaks on Jimi during the first verse. As he goes to retrieve a replacement,
the track quickly breaks down into a improvised jam and continues as such until
the end.
41. Voodoo Chile (S1320) (5) - Sound Quality: Very Good. Time: 2:24
Take 5 of the Sessions Tape. Eddie Kramer starts adding the overdubbed crowd
noises at this point. Jimi quickly kills this take as he feels Eddie is putting the
overdub in at the wrong location of the track.
42. Voodoo Chile (S728) (7) - Sound Quality: Excellent. Time: 6:57
A shorter alternate mix of the official stereo release with crowd noises mixed low.
43. Voodoo Chile (S1320) (8) - Sound Quality: Very Good. Time: 15:32
A different mix of the official track with two guitar solos and overdubbed crowd
noises mixed more up front.
44. Voodoo Chile (S1097) (9) - Sound Quality: Excellent. Time: 9:18
Also known as Voodoo Chile Blues with the official version being found on Blues.
This track is a composite made by slicing the first two minutes of "The Broken
String" take (S1320) (4) with a short 24 second vocal piece from the official mix
(S038) (6) and the last 6 minutes & 50 seconds of (S1320) (2). This track is 24
seconds longer than the version found on Blues.
45. Voodoo Chile (S?) (13) - Sound Quality: Good. Time: 9:09
This composite is almost the same as (S1097) (9) but with the first 2 minutes:9
seconds of "The Broken String" take (S1320) (4) spliced into the last 6 minutes:50
seconds of (S1320) (2). The 24 second vocal piece from the official mix (S038) (6)
is not included in this version.

May 3, 1968 - The Record Plant, New York, New York. The complete monaural
Voodoo Child (Slight Return) Sessions Tape.
46. Voodoo Child (Slight Return) (S1319) (1) - Sound Quality: Excellent. Time: 0:14
Take 1 of the Voodoo Child (Slight Return) Session Tape. A very short false start.
47. Voodoo Child (Slight Return) (S1319) (2) - Sound Quality: Excellent. Time: 1:10
Take 2 of the session tape.
48. Voodoo Child (Slight Return) (S1319) (3) - Sound Quality: Excellent. Time: 4:29
Take 3 of the session tape.
49. Voodoo Child (Slight Return) (S1319) (5) - Sound Quality: Excellent. Time: 0:20
Take 5 of the session tape wich is another very short false start. The raw source of
Take 4 is missing from all circulating copies. An official mix of Take 4 (S246) (17)
can be found on Disc 2 of Lifelines.
50. Voodoo Child (Slight Return) (S1319) (6) - Sound Quality: Excellent. Time: 1:06
Take 6 of the session tape.
51. Voodoo Child (Slight Return) (S1319) (7) - Sound Quality: Excellent. Time: 0:41
Take 7 of the session tape which is the third false start.
52. Voodoo Child (Slight Return) (S1319) (8) - Sound Quality: Excellent. Time: 1:10
Take 8 of the session tape.
53. Voodoo Child (Slight Return) (S1319) (9) - Sound Quality: Excellent. Time: 2:11
Take 9 of the session tape.
54. Voodoo Child (Slight Return) (S1319) (10) & (11)
Sound Quality: Excellent. Time: 0:26
Takes 10 & 11 of the session tape which are false starts 4 & 5.
55. Voodoo Child (Slight Return) (S1319) (12) - Sound Quality: Excellent. Time: 3:32
Take 12 of the session tape.
56. Voodoo Child (Slight Return) (S1319) (13) & (14)
Sound Quality: Excellent. Time: 1:17
Takes 13 & 14 of the session tape which are false starts 6 & 7.
57. Voodoo Child (Slight Return) (S1319) (15) - Sound Quality: Excellent. Time: 2:05
Take 15 of the session tape.
58. Voodoo Child (Slight Return) (S1319) (16) - Sound Quality: Excellent. Time: 3:51
A dry mix of the unfinished Take 4.
60. Voodoo Child (Slight Return) (S1319) (18) - Sound Quality: Excellent. Time: 1:33
A dry mix of the first unfinished instrumental.
61. Voodoo Child (Slight Return) (S1319) (19) - Sound Quality: Excellent. Time: 1:23
A dry mix of the second unfinished instrumental.
62. Voodoo Child (Slight Return) (S048) (20) - Sound Quality: Excellent. Time: 1:06
A 47 second false start that preceeds (S048) (21).
63. Voodoo Child (Slight Return) (S048) (20) - Sound Quality: Excellent. Time: 5:41
An alternate monaural dry mix of the official stereo track (S048) (22).

June 10, 1968 - The Record Plant, New York, New York.
64. Rainy Day Practice Session (S1369) (?) - Sound Quality: Excellent. Time: 5:54
The monaural practice session tape. Consists of 4 pieces with timings of 0:22, 0:26,
1:59 & 2:35.
65. Rainy Day Jam Outtakes (S1098) (?) - Sound Quality: Good. Time: 2:15
Consists of 2 instrumental takes in stereo with timings of 0:25 and 1:25.
66. Rainy Day / Still Raining, Still Dreaming (S?) (5) - Sound Quality: Excellent.
Time: 3:12
An early instrumental take in stereo.
67. Rainy Day/Still Raining, Still Dreaming (S1362) (2) - Sound Quality: Excellent.
Time: 7:39
An alternate monaural mix of the combined track.
68. Rainy Day / Still Raining, Still Dreaming (S043) (3) - Sound Quality: Excellent.
Time: 3:12
The second monaural mix of the comined track with extra guitar overdub.
Incomplete as this fades in at the beginning and is missing the first 2 minutes, 14
seconds of (S1362) (2).
69. Rainy Day Shuffle (S995) (?) - Sound Quality: Very Good. Time: 5:15
The complete jam mixed to mono.

June 11, 1968 - The Record Plant, New York, New York.
70. Inside Out A.K.A Ezy Rider (S973) (1) - Sound Quality: Good. Time: 5:15
Maybe not a true early version of Ezy Rider but this track has very similar
chord progressions to the track that would eventually be released on The Cry Of
Love.
71. Inside Out A.K.A Ezy Rider (S?) (2) - Sound Quality: Time:
An alternate version of (S973) (1) with some lead guitar mixed out.
72. Jimi Jazz Jam (S1093) (?) - Sound Quality: Good. Time: 12:10
The complete version of this jam in stereo.
73. Electric Ladyland Blues (S1094) (2) - Sound Quality: Good. Time: 6:12
Complete take of this early instrumental jam in stereo.

June 14, 1968 - The Record Plant, New York, New York.
74. Have You Ever Been To (To Electric Ladyland) (S153) (3)
Sound Quality: Excellent. Time: 1:33
Take 3 from a solo session with Jimi only. Fades at end.
75. Have You Ever Been To (To Electric Ladyland) (S1091) (1)
Sound Quality: Very Good. Time: 4:54
Take 4 with Mitch joining Jimi. This take became the backing track for
the official version. Also known as the "Cymbals Take".
76. Have You Ever Been To (To Electric Ladyland) (S?) (6)
Sound Quality: Excellent. Time: 3:24
An extended edit of the official stereo mix probably from an overdub
mixing session.
77. Have You Ever Been To (To Electric Ladyland) (S036) (7)
The monaural edit of the official stereo version.

June 29, 1968 - The Record Plant, New York, New, York.
78. ...And The Gods Made Love (S?) (2) - Sound Quality: Excellent. Time: 1:24
A longer alternate mix of the official track in stereo.
79. ...And The Gods Made Love (S?) (3) - Sound Quality: Very Good. Time: 1:08
The alternate fast mix which actually consists of the track twice. Once forward
and once backward. If played normally or reversed in a wave editor, the track
will end with Jimi saying "Okay, One more time".
80. ...And The Gods Made Love (S?) (4) - Sound Quality: Excellent. Time 0:51
A shorter alternate mix in stereo.
81. ...And The Gods Made Love (S035) (5) - Sound Quality: Excellent. Time: 1:22
The mono reduction of the official stereo track.

August 12, 1968 - The Record Plant, New York, New, York.
82. Room Full Of Mirrors (S1545) (26) - Sound Quality: Excellent. Time: 1:25
Take 3 of a session featuring Paul Caruso on harmonica. Mitch and Noel were not
present in the studio on this date.

August 27, 1968 - The Record Plant, New York, New, York.
83. Come On (Part 1) (S998) (2) - Sound Quality: Very Good. Time: 1:15
Incomplete Take 8 as it starts in the middle of the first verse. Jimi ends the take
just after the end of the second verse. Track is monaural.
84. Come On (Part 1) (S250) (3) - Sound Quality: Very Good. Time: 2:56
The complete monaural Take 9.
85. Come On (Part 1) (S?) (3) - Sound Quality: Very Good. Time: 2:53
An alternate mix of Take 9. The first ten seconds are in stereo which then reverts
back to mono for the remainder of the track.
86. Come On (Part 1) (S891) (1) - Sound Quality: Very Good. Time: 4:27
An unknown take mixed to stereo. Considerably different than Take 14 which
was the take used on Electric Ladyland. Fades out at ending.

October 16th or 17th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. While on the West Coast leg of his fall tour, Jimi along
with Jack Bruce, Jim McCarthy, Buddy Miles and an unknown guitartist, spend
the day in informal jamming.
87. Jam #5 (12 Bar Blues In E) (JS-10) - Sound Quality: Very Good. Time: 14:57
88. Jam #6 In E (JS-11) - Sound Quality: Very Good. Time: 5:39
89. I Just Want To Make Love To You (JS-12) - Sound Quality: Very Good.
Time: 12:28
90. Jam #1 (12 Bar Blues In D) (JS-6) - Sound Quality: Very Good. Time: 14:29
91. Jam #2 In D (JS-7) - Sound Quality: Very Good. Time: 6:43
92. Jam #3 (JS-8) - Sound Quality: Very Good. Time: 12:28
93. Sunshine Of Your Love (S?) (2) - Sound Quality: Very Good. Time: 0.30
94. Jam # 4 In D (JS-9) - Sound Quality: Good. Time: 1:29
95. Sunshine Of Your Love (S?) (3) - Sound Quality: Good. Time 0.42

October 18th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. Working only with Noel, & Mitch on this date,
Jimi tries to record newly penned compositions.
96. Untitled Instrumental Jam (S847) (JS2) - Sound Quality: Very Good. Time: 3:47
ATM180-183 At TTG Studios suggests that this instrumental could be Jimi's first
known recording of Izabella. Experience Hendrix's history timeline does confirm
that the first version of Izabella was indeed recorded on this date.

October 20th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. Lee Michaels joins the Experience in the studio as
Jimi records 15 takes of a new composition called Messenger. Jimi had jammed
with Lee the night before at the Whiskey A Go Go in Hollywood.
97. Untitled Instumental Jam (S1354) (JS31) - Sound Quality: Good. Time: 3:11
There could be a slight chance that this track is Take 15 of Messenger. EH states
that Lee's piano part was overdubbed to Take 15 which was the final take. A slight
clue to this possibility is at the end of the track. Jimi can be clearly heard talking to
Eddie in the control booth while at the same time, his voice is also heard on the
tape.

October 21th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. Jimi records twenty seven takes of "Calling All
Devil's Children", a tongue in cheekparty song. Sometime during the day,
the Experience is joined by Buddy Miles and Lee Michaels for some
informal jamming.
98. Calling All Devil's Children (S757) (1) - Sound Quailty: Excellent. Time: 4:34
This is the short edit instrumental backing track without vocals. Which omits the
first 1 minute & 56 seconds and the last 58 seconds found on (S815) (2).
99. Calling All Devil's Children (S815) (2) - Sound Quailty: Excellent. Time: 7:27
The long edit that includes Jimi's "bust" vocals.
100. Calling All Devil's Children (S815) (9) - Sound Quailty: Very Good. Time: 6:03
A shorter mix of (S815) (2) with alternate voices.
101. Untitled Instumental Jam (S1357) (JS14) - Sound Quality: Excellent. Time: 8:43
102. Electric Church (S?) (JS32) - Sound Quality: Very Good. Time: 9:42
This is the most complete version.
103. Hear My Freedom (S1358) (?) - Sound Quality: Excellent. Time: 7:40
The complete jam

October 22th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. On this date, Jimi works on his 1967 composition of
"Mr. Bad Luck". After the seventeenth take, he decides to rename the song
to "Look Over Yonder". By the days end, he records a total of twenty six takes.
104. Look Over Yonder (S116) (3) - Sound Quality: Excellent. Time: 3:24
An alternate mix of Take 17 with different guitar parts.
105. Look Over Yonder Backwards Outro (S0) (0) - Sound Quality: Excellent.
Time: 0:27
The outro only from the official mix of Take 17 (S116) (2) reversed to show the
backwards guitar overdubs. Traders track. Not a true known recording.

October 23th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. Working with Mitch, Jimi makes early headway on
a new composition, The New Rising Sun. Five renditions were recorded on this
date with Take 2 chosen to be the master recording.
106. The New Rising Sun (S1315) (2) - Sound Quality: Excellent. Time: 8:28
The complete unedited Take 2 with guitar overdubs.

October 24th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. Tape logs for this date show Jimi working on several
differnet composition including Peace In Mississppi.
107. Peace In Mississippi (S755) (1) - Sound Quality: Very Good. Time: 7:08
The original unaltered Take 15 in mono with Noel on bass and Mitch on drums.
108. Peace In Mississippi (S1243) (7) - Sound Quality: Very Good. Time: 4:19
An Alan Douglas era mix of Take 15 with Jimi's guitar on the right channel
and Bob Babbit's bass on the left.
109. Peace In Mississippi (S?) (8) - Sound Quality: Very Good. Time: 4:42
A less altered Alan Douglas era mix of Take 15 in mono. Longer than the
official mix found on Crash Landing, this version only has Jimi playing guitar
but still has the overdubbed bass of Bob Babbit, drums of Allan Schwartzberg,
and percussion of Jimmy Maeulen.
110. Peace In Mississippi (S1244) (6) - Sound Quality: Very Good. Time: 4:15
A shorter alternate edit in mono with Jimmy Maeulen's percussion part missing.
111. Peace In Mississippi (S769) (4) - Sound Quality: Very Good. Time: 4:18
Another less altered Douglas edit in narrow stereo. In this mix, Jeff Mironov's
guitar part has been added to the left channel of Take 15.
112. Peace In Mississippi (S769) (5) - Sound Quality: Very Good. Time: 4:42
Basically the same as (S769) (4) but in this mix, heavy delay has been added
and Jeff Mironov's guitar part is on the right channel.

October 27th?, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. After playing a concert at the Civic Auditorium in
Bakersfield, California the night before, the Experience return to TTG only
to fail in making any new progress. Only one recording was made on this date
titled "Jam Sessions" which was considered complete. There is a possiblity
that the next four tracks might be from that session with Lee Michaels on piano.
113. Untitled Instrumental Jam (S1353) (JS28) - Sound Quality: Good. Time: 3:55
114. Untitled Instrumental Jam (S1353) (JS29) - Sound Quality: Good. Time: 5:37
115: Untitled Instrumental Jam (S1353) (JS30) - Sound Quality: Good. Time: 6:02
116. Everything's Gonna Be Alright (S1353) (1) - Sound Quality: Good. Time 2:33
Source: Ball & Chain

October 29th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St.
Los Angeles, California. This date was the last of Jimi's recording sessions
at TTG with the Experience. Joining the trio are Buddy Miles and Lee Michaels.
Jimi spends the final two days of October at TTG recording with Eire Apparent
as they work on their debut album. This marked one of Jimi's first outings as a
producer for bands other than himself.
117. Lover Man (S1197) (1) - Sound Quality: Very Good. Time: 4:34
Take 3 in monaural.
118. Lover Man (S762) (2) - Sound Quality: Very Good. Time: 5:29
Take 4 mixed apparently in narrow stereo as Mitch's snare drum is more dominant
in the left channel and bass drum on the right.
119. Gloria (S?) (2) - Sound Quality: Good. Time: 9:42
The complete unedited studio Take 8 in mono.
120. Gloria (S170) (1) - Sound Quality: Excellent. Time: 8:46
A shorter slightly edited alternate mix of Take 8 in stereo.
121. Red House (S300) (?) - Sound Quality: Excellent. Time: 5:32
The stereo dry mix which is slightly more complete at the start and does not
include the Electric Church Intro from October 21st.
122. Electric Church Red House (S300) (7) - Sound Quality: Very Good. Time: 7:25
The complete composite consisting of the Electric Church Intro (1:49) from October
21st & Red House. Slight echo is added to this mix and is about a minute 20
seconds longer than the edited composite found on the official Blues release.

Sometime between October 18th & 29th, 1968 - Studio B, TTG Studios, 1441 North MaCadden St. Los Angeles, California. The exact recording dates of the next two
tracks are unknown for the most part but the general consensious is that they were
recorded at TTG Studios during this timeframe.
123. Bleeding Heart Jam (S1102) (JS1) - Sound Quality: Very Good. Time: 4:38
An improvised jam with chord progressions similar to those found on Bleeding
Heart from War Heroes and Untitled Instrumental Jam (S992)
124. Untitled Instrumental Jam (S235) (JS4) - Sound Quality: Very Good. Time: 3:19
Apparently an overdub session as this track has two added guitars parts over the
main track. All known versions of this track have the double guitar intro at the
beginning and an abrupt ending.

November 6th, 1968 - The Record Plant, New York, New York. Back in New York,
Jimi works with Cat Mother & The All Night Newsboys as they record their first
album.
125. Untitled Instrumental Jam (S?) (JS36) - Sound Quality: Very Good. Time: 1:50
An incomplete jam with members of The All Night Newsboys.